https://junemiskell.info june miskell Thu, 27 Jan 2022 05:17:47 +0000 https://junemiskell.info en https://junemiskell.info/bio Thu, 27 Jan 2022 05:17:47 +0000 june miskell https://junemiskell.info/bio ︎ Home | ︎ CV Tertiary Education2023– PhD Candidate in Art History and Theory at School of Art and Design, University of New South Wales.2019 Bachelor of Art Theory (First Class Honours), School of Art and Design, University of New South Wales.  Academic Teaching School of Art & Design, University of New South Wales2026– SAHT9112 Art Writing and Publishing. 2026– SAHT9131 Visual and Museum Cultures of the Asia Pacific. 2022– DART1300 Histories of Contemporary Art Part I. 2022– DART1301/SAHT9204 Histories of Contemporary Art Part II. 2022– DART1310 Australian Art.2020– DART3310/SAHT9138 Global Contemporary Art. 2020.  DART2311 East Asian Contemporary Art. Public Programs, Readings, Other2026 Wetting, Wilds, and Mirrors: Queer Creative Practices Symposium, Monash Art Design and Architecture.2025 Assessment Panel, Parramatta Artists Studios Granville Studio Artists 2025-26.  2024 Mentor for ‘COMMON WORDS,’ Biennale of Sydney exhibition reviews published on fine print. 2023 Guest Producer for ‘The Kalampag Tracking Agency’ (Merv Espina and Shireen Seno) Screening for Projections #11 Series by Curator of Film, Ruby Arrowsmith-Todd, the Art Gallery of New South Wales. 2023 ‘Writing for Arts Publications,’ panel discussion and online conversation with Dr Verónica Tello, Dr Astrid Lorange, Audrey Pfister, Paul Boyé, and June Miskell, organised by Australian and New Zealand Journal of Art (ANZJA) and un Projects for un Talks.  2023 ‘Huling Hapunan,’ in-conversation talk with Marikit Santiago for the closing of the artist’s solo exhibition We Eat This Bread at Fairfield City Museum & Gallery. 2023 ‘Pagbasa Archive,’ roundtable discussion with Melba Marginson, Efren Pamilacan, Kuya Neil, Sandra Tan, Ranima Montes, Mariam Arcilla, James Emmanual McKinnon, Aida Azin, MJ Flamiano, Catherine Ortega-Sandow, and June Miskell, organised by MJ Flamiano, Catherine Ortega-Sandow at Mission to Seafarers Victoria (MTSV). 2021 ‘Write Around the Murray,’ writing workshop, Runway Journal x Murray Art Museum Albury (MAMA). 2020 OUT OF BOUNDS podcast, ‘Episode 5: June Miskell and Anita Cummins interview with Caoife Power’, Bus Projects Radio, Melbourne. 2020 Reading, The Four Letter Word curated by Sophia Cai, Artbank, Sydney. 2019 ‘Fatal Crush #5: Bodies’ organised by Stella Maynard, UNSW School of Art & Design Black Box.2018 ‘At the Threshold’ programmed by Lsh Fitzpatrick for Tracing the Archipelago curated by Jenny Anagnostopoulou and Yarran Gatsby, Kudos Gallery, Paddington.2017 ‘Fatal Crush #1: Archive’ organised by Dr Astrid Lorange, UNSW School of Art & Design Black Box. Awards & Scholarships 2023-26 Australian Government Research Training Program (RTP Scholarship). 2018 Emerging Critics Award, sponsored by UNSW Art & Design Student Council and presented in partnership with Runway Journal at Kudos Gallery.Contactj.miskell[@]unsw.edu.au https://junemiskell.info/Home Sun, 03 Oct 2021 05:40:52 +0000 june miskell https://junemiskell.info/Home table { border-collapse: collapse; width: 100%; } th, td { padding: 2.5px; text-align: left; border-bottom: 1px solid #ddd; } ︎    June Acido Miskell ︎Info ︎CV Writer, editor, and teacher based on unceded Gadigal and Wangal land (Sydney, Australia). She has contributed writing to numerous local and international art exhibitions, online platforms, and print publications. Miskell has held editorial roles with Memo Review (NSW Reviews Editor, 2022–), Performance Review (Board Member, 2022),and Runway Journal (Editor and Secretary, 2021-22). Alongside her writing practice, she works as a Sessional Academic, teaching in the School of Art & Design at the University of New South Wales where she is a PhD Candidate in Art History and Theory. ︎   Publications 2026  Artist Interview ︎︎︎ Mithra K In-Conversation with June MiskellParramatta Artists Studios 2025  Exhibition Text ︎ Brown Pillars II by Aida AzinIncinerator Gallery   Exhibition Review ︎︎︎ In Every Room at Campbelltown Arts CentreArt Asia Pacific   Catalogue Essay ︎ Fugitive Archives by MJ Flamiano & Catherine Ortega-SandowMonash University Art, Design, Architecture Gallery 2024  Performance Review ︎︎︎ ANITO by Justin Talplacido ShoulderPerformance Art Museum   Exhibition Review ︎︎︎ A tide is a very long wave at SYRUPMemo Review   Exhibition Review ︎︎︎ NUW🌏RLDS at 4A Centre for Contemporary Asian ArtMemo Review   Artist Profile ︎If The Mountain is Burning, Let It Burn by Claudia NicholsonArt Collector Magazine   Catalogue Text ︎︎︎ Living truthfully in invented circumstances by Andy Butler for Future Remains: The 2024 Macfarlane CommissionsAustralian Centre for Contemporary Art   Performance Review ︎︎︎ ESSSENSSSE by HOSSEI at Verge GalleryPerformance Art Museum  2023  Exhibition Review ︎︎︎ I remember you by Salote Tawale at CarriageworksMemo Review    Catalogue Text ︎Truc Truong for ACE Studios 2023 ExhibitionAdelaide Contemporary Experimental   Creative Text ︎ Archival Aesthetics by Saluhan CollectiveSEVENTH Gallery x Collective Polyphony Festival                      Exhibition Text ︎ The kingdom, the power by Marikit SantiagoBendigo Art Gallery            Catalogue Text ︎︎︎ The Unshakeable Destiny by Nikki Lam for Primavera 2023: Young Australian ArtistsMuseum of Contemporary Art Australia           Chapter, Ed. Book ︎︎︎ Enough: Artists and Writers on Gendered Violence edited by Vikki McInnes Perimeter Editions x CoVA at the University of Melbourne Exhibition Review︎︎︎ Impossible Desire by Ali Tahayori at KnulpMemo ReviewExhibition Review︎︎︎ Linger, Dash, Talk at Cement FonduMemo Review 2022Journal Article    ︎︎︎ The 'Women's' Show after House of Slé: A Dialogue Between Bhenji Ra and June MiskellAustralian and New Zealand Journal of Art (Vol. 22, No. 2)  Catalogue Essay ︎ We Eat This Bread by Marikit SantiagoFairfield City Museum & Gallery Exhibition Review ︎︎︎ Ultra Unreal at Museum of Contemporary Art, AustraliaMemo Review Catalogue Text ︎︎︎ Fibre Optics; An Intranet of Virtue by JD Reforma for Like a Wheel That Turns: 2022 Macfarlane Commissions Australian Centre for Contemporary Art Artist Profile ︎ Keg de Souza: Food for ThoughtLook Magazine, Art Gallery of New South Wales Exhibition Review ︎︎︎ Roots at Pari, ParramattaMemo Review   Catalogue Text ︎︎︎ UN/LEARNING Australia Artspace Sydney x Seoul Museum of Art 2021 Exhibition Review ︎︎︎ AEON+: TITAN ARUM by Justin Talplacido Shoulder  Performance Review   Catalogue Essay ︎ I don’t see colour by Salote Tawale  Perth Institute of Contemporary Art  Catalogue Text ︎ ‘Of this and other worlds’ in MAMA 20:20  Murray Art Museum Albury  Catalogue Essay ︎ Acid Mantle by JD ReformaCOMA Gallery  2020 Creative Text ︎︎︎ The feeling that moves us Free Association Creative Text ︎︎︎ A Letter for My Love(s) Runway Journal, Issue 41: Love Catalogue Text ︎︎︎ Shadow Catchers curated by Isobel Parker Philip Art Gallery of New South Wales 2019 Honours Thesis ︎Embodied Knowledge and Collective Survival: Dance and Community in the work of Bhenji Ra UNSW Art & Design Exhibition Feature ︎︎︎ The Fullness of Time by Caroline Garcia & JD Reforma at Verge Gallery Running Dog Exhibition Review ︎︎︎ I LOVE YOU MELISSA curated by Courtney Novak at The Lock-Up Running Dog Catalogue Text ︎I will never run out of lies nor love curated by Nanette Orly & Sebastian Henry-Jones  Bus Projects Exhibition Feature ︎︎︎ Do You Know This Feeling curated by Sebastian Henry-Jones at Firstdraft Running Dog Creative Text ︎︎︎ Habilin, comissioned for Kudos Live: Intimate Circulations curated by Audrey Pfister & Em Size Kudos Gallery 2018 Exhibition Review ︎︎︎ Kudos Live: Dual Existence curated by Kate Stodart at Kudos Gallery Runway Journal, Conversations Creative Text ︎︎︎ Nosebleed Framework (Issue 21: Networks) Exhibition Review ︎︎︎ Coca-Colanised by Marikit Santiago at Verge Gallery un Projects, un Extended 2017 Critical Essay ︎︎︎ Re-vising the Archive Framework (Issue 19: Archive) Exhibition Review ︎ No/Vacancy by Amelia Skelton & Tango Conway at Down/Under Space Framework (Issue 17: Transformation) I acknowledge the Gadigal and Wangal peoples of the Eora Nation as the Traditional Custodians of the land on which I live, work, and play. I pay my deepest respects to Elders past and present. I recognise that on this land Sovereignty was never ceded and this always was and always will be Aboriginal land. All content © June Acido Miskell tr:hover {background-color: #ffffff;} tr:hover {background-color: #ffffff;}