︎June Acido Miskell


2024  Performance Review ︎︎︎ ANITO by Justin Talplacido ShoulderPerformance Art Museum
  Exhibition Review ︎︎︎ A tide is a very long wave at SYRUPMemo Review
  Exhibition Review ︎︎︎ NUW🌏RLDS at 4A Centre for Contemporary Asian ArtMemo Review
  Artist Profile ︎︎︎ Claudia Nicholson: If The Mountain is Burning, Let It BurnArt Collector Magazine
  Catalogue Text ︎︎︎ Future Remains: The 2024 Macfarlane Commissions – Andy ButlerAustralian Centre for Contemporary Art
  Performance Review ︎︎︎ ESSSENSSSE by HOSSEI at Verge GalleryPerformance Art Museum 
2023  Exhibition Review ︎︎︎ I remember you by Salote Tawale at CarriageworksMemo Review 
  Catalogue Text ︎ Truc Truong / ACE Studios 2023 ExhibitionAdelaide Contemporary Experimental
  Creative Text ︎ Archival Aesthetics curated by Saluhan CollectiveSEVENTH Gallery x Collective Polyphony Festival
                     Exhibition Text ︎ The kingdom, the power by Marikit SantiagoBendigo Art Gallery 
          Catalogue Text ︎︎︎ Nikki Lam / Primavera 2023: Young Australian ArtistsMuseum of Contemporary Art Australia
          Chapter, Ed. Book ︎︎︎ Enough: Artists and Writers on Gendered Violence Perimeter Editions x CoVA at the University of Melbourne 
Exhibition Review︎︎︎ Impossible Desire by Ali Tahayori at KnulpMemo Review
Exhibition Review︎︎︎ Linger, Dash, Talk at Cement FonduMemo Review
2022Journal Article    ︎︎︎ The 'Women's' Show after House of Slé: A Dialogue Between Bhenji Ra and June MiskellAustralian and New Zealand Journal of Art (Vol. 22, No. 2)
 Catalogue Essay ︎ We Eat This Bread by Marikit SantiagoFairfield City Museum & Gallery
Exhibition Review ︎︎︎ Ultra Unreal at Museum of Contemporary Art, AustraliaMemo Review
Catalogue Text ︎︎︎ Like a Wheel That Turns: 2022 Macfarlane Commissions – JD ReformaAustralian Centre for Contemporary Art
Artist Profile ︎ Keg de Souza: Food for ThoughtLook Magazine, Art Gallery of New South Wales
Exhibition Review ︎︎︎ Roots at Pari, ParramattaMemo Review
  Catalogue Text ︎︎︎ UN/LEARNING Australia Artspace Sydney x Seoul Museum of Art
2021 Exhibition Review ︎︎︎ AEON+: TITAN ARUM by Justin Talplacido Shoulder  Performance Review
  Catalogue Essay ︎ I don’t see colour by Salote Tawale  Perth Institute of Contemporary Art 
Catalogue Text ︎ ‘Of this and other worlds’ in 20:20  Murray Art Museum Albury 
Catalogue Essay ︎ Acid Mantle by JD ReformaCOMA Gallery 
2020 Creative Text ︎︎︎ The feeling that moves us Free Association
Creative Text ︎︎︎ A Letter for My Love(s) Runway Journal, Issue 41: Love
Catalogue Text ︎︎︎ Shadow Catchers curated by Isobel Parker Philip Art Gallery of New South Wales
2019 Honours Thesis ︎ Embodied Knowledge and Collective Survival: Dance and Community in the work of Bhenji Ra UNSW Art & Design
Exhibition Feature ︎︎︎ The Fullness of Time by Caroline Garcia & JD Reforma at Verge Gallery Running Dog
Exhibition Review ︎︎︎ I LOVE YOU MELISSA curated by Courtney Novak at The Lock-Up Running Dog
Catalogue Text ︎ I will never run out of lies nor love curated by Nanette Orly & Sebastian Henry-Jones  Bus Projects
Exhibition Feature ︎︎︎ Do You Know This Feeling curated by Sebastian Henry-Jones at Firstdraft Running Dog
Creative Text ︎︎︎ Habilin, comissioned for Kudos Live: Intimate Circulations curated by Audrey Pfister & Em Size Kudos Gallery
2018 Exhibition Review ︎︎︎ Dual Existence curated by Kate Stodart at Kudos Gallery Runway Journal, Conversations
Creative Text ︎︎︎ Nosebleed Framework (Issue 21: Networks)
Exhibition Review ︎︎︎ Coca-Colanised by Marikit Santiago at Verge Gallery un Projects, un Extended
2017 Critical Essay ︎︎︎ Re-vising the Archive Framework (Issue 19: Archive)
Exhibition Review ︎ No/Vacancy by Amelia Skelton & Tango Conway at Down/Under Space Framework (Issue 17: Transformation)

I acknowledge the Gadigal and Wangal peoples of the Eora Nation as the Traditional Custodians of the land on which I live, work, and play. I pay my deepest respects to Elders past and present. I recognise that on this land Sovereignty was never ceded and this always was and always will be Aboriginal land.
All content © June Acido Miskell